SIGNAL | OpenAI’s planned Ohio campus shows how quickly artificial intelligence is becoming an energy infrastructure question. The challenge is no longer simply whether enough electricity can be generated — but who builds the system around AI, who finances it and who ultimately carries the cost.
Nvidia has agreed to provide substantial financial backing for an enormous AI campus being developed by SB Energy in Pike County, Ohio, with OpenAI as its customer. The site could eventually provide 8 gigawatts of AI compute capacity under a 20-year lease. Nvidia will also invest $1.5 billion in SB Energy and supply the AI infrastructure used on the campus.
That makes Ohio more than another data-centre announcement. It shows what happens when the AI race moves beyond models and chips and starts colliding with the physical limits of the economy.
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For years, discussions about digital sovereignty have largely been associated with Europe. Questions surrounding strategic autonomy, data governance and digital regulation have often been viewed through a European policy lens. That assumption is becoming increasingly outdated.
Across North America, the Middle East and Asia, governments are confronting remarkably similar questions. As cloud computing, artificial intelligence and hyperscale infrastructure become embedded within essential public services, digital sovereignty is emerging as a global challenge rather than a regional debate.
Meridian Exchange 2026, taking place in Dubai, reflects this broader shift.
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Dutch artist Denise Buisman Pilger has been selected for a solo exhibition at Canada’s World of Threads Festival 2026–2027, one of the world’s leading international festivals for fibre and textile art.
Working with hand-processed Japanese Kozo fibres, handmade Washi paper and traditional Japanese brushes, Buisman Pilger has developed an artistic practice centred on intuition, craftsmanship and the dialogue between artist and material.
Her selection is an important personal milestone. It may also reveal something about how our relationship with creativity is changing.
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As digital and AI-generated representations become almost limitless, physical objects may acquire new meaning. Through the work of Denise Buisman Pilger, The Return of Material Culture explores materiality, provenance and the growing value of things that actually exist.
Artificial intelligence can reproduce appearances with extraordinary precision. But can it reproduce the history of making? Through the work of Denise Buisman Pilger, The Human Hand explores why material, uncertainty and physical process may become increasingly important to the value of art.
From the bark of the paper mulberry tree to contemporary abstract art, Kozo tells a story of patience, transformation and material intelligence. Through the work of Denise Buisman Pilger, this centuries-old Japanese fibre reveals a different philosophy of creativity in the age of artificial intelligence.
For more than thirteen centuries, Washi has embodied patience, craftsmanship and material intelligence. Through the work of Denise Buisman Pilger, this remarkable Japanese paper reveals why creativity begins not with a blank surface, but with a material that already carries its own story.